Famous actor Nana Patekar passed away on October 8, 2026. He was considered one of the fittest actors of his age, which is why his sudden death shocked many, including me. Nana was also known for his distinctive acting style, especially his dialogue delivery. His unconventional background and his image of not being easy to work with created a unique enigma around his personality. For the last two decades or so, he was also active in social work, helping farmers and addressing irrigation-related issues through his NGO, Naam Foundation. Many of his interviews are a treat to watch because of his candor and demeanor. He was fluent in Marathi and Hindi, so I could enjoy his interviews in both languages. His recitations of poetry and other beautiful lines from literary works, especially Marathi literature, were equally memorable. I have seen very few Bollywood actors in person, and Nana is one of only two, the other being Neena Gupta. During my college days, I saw him walking on Tilak Road in Pune, dressed in a white shirt and blue jeans, with a small group of young students walking alongside him. There were no bodyguards and none of the spectacle we see around celebrities today. What impressed me was his calm demeanor and the ease with which he carried himself in public, even though he was already famous. That memory has stayed with me to this day. It was not a surprise, then, that his death brought an outpouring of messages from fans and well-wishers who were touched by his presence or his work. His story reads like an ideal rags-to-riches tale: a person with no privilege or background enters the field of arts and becomes a celebrated icon, despite having no formal training or the other advantages that such successful people generally have.
However, there is another side to this story. India’s MeToo movement is widely seen as having begun with actress Tanushree Datta’s 2018 allegation of sexual harassment against Nana. She had first filed an official complaint in 2008, but the issue resurfaced in 2018 and triggered the movement in India. Of course, Nana denied these allegations and any misconduct. Tanushree has maintained her stance since then and has even produced some corroborative evidence. This is all in the public domain.
To be a hero on screen and to be a hero in real life are two different things. If someone achieves both, that is remarkable, and according to many, Nana managed to do so. What do we do with serious allegations against otherwise likable and genuine personalities who have positively touched so many lives? Do we vilify them based on the allegations, or ignore the allegations altogether in light of everything else they have done? It is not an easy question to answer or an easy dilemma to resolve, and Nana’s case is a classic example.
We can love someone’s art and performance without agreeing with their every action. After all, even successful people are human. They have their weaknesses and personal battles that others know nothing about, and they suffer from the same mental and physical challenges that we all go through because of the culture and environment around us. They can make mistakes, even serious ones, and it may be difficult for them to accept those mistakes when so much is at stake because of their name and fame. This does not mean they should get a free pass. They receive love and adulation because of their fame, and they will receive proportional scrutiny and criticism for their mistakes. It cuts both ways: you cannot reap all the benefits of being a celebrity and complain when it brings additional responsibility and scrutiny. However, it is also wrong to judge someone based on just one incident. Any person is much more than one action, but the nature and seriousness of that incident also matters. If we ignore misdemeanors or offensive behavior just because the person is otherwise great, we are not only applying double standards; we are being hypocrites.
Many victims do not come forward because of fear of backlash and social shame. When the accused is famous and powerful, the battle for victims is orders of magnitude tougher, and the odds are against them. This is why listening to victims when they speak up is not only warranted but obligatory in any fair and just society. This is the test not of that celebrity but of ours.
No doubt, Nana was a great actor, philanthropist, and social worker. He touched many lives positively, and I am sure many carry great memories of him. I carry one too: a calm, confident man walking down Tilak Road, comfortable in public despite his fame. People have the right to celebrate those memories and his legacy. At the same time, society needs to recognize the victim’s voice and give it the recognition and space it demands from a just society. Holding both truths is uncomfortable, but it is necessary. As I said, the test is not of Nana or Tanushree; it is of us as a society, and there is no easy way out. Someone’s fame or death does not erase harm. Public mourning does not erase the pain survivors carry. People celebrating someone’s legacy should not expect victims to stay silent about their pain and struggles. We must learn how to handle these complex situations, and I hope we are mature enough to do so.
Thank you for reading, and please share your views on this topic.